Al Stewart, Aurélia Thirion, Bee Gees, Captain Beyond, Cedric Mattys, Deep Purple, Fred Scalliet, Gina Mainardi, Glenn Hughes, Jackson 5, Manfred Mann's Earth Band, P'tit Bout, Patrick Juvet, Philippe Tasquin, Rod Evans, Tales Of Acid Ice Cream, Vincent Trouble
In the midst of the storm following the release of « Nama Time » a few weeks ago, the celebrations of “Tales Of Acid Ice Cream”’s 20th birthday were deliberately buried into an ocean of mud and dirt by the feline high-powers. However, some still favour this now old Awaken release.
What’s the connection?
Proud owners of “Mokomoko Collection” and “Nama Time” might not all be concerned by Snowcat’s white-wall recordings, as he now calls his work of the 90’s, and no one could blame them of that lack of interest.
On the other hand, there’s still that handful of nostalgic freaks who danced their ass off, got high or cured their manic depression (all for the worse in the latter case) listening to the beats of that very CD. Those die-hard fans are not surprisingly quite resistant to Snowcat’s own faves like “Beppu Nights”, “This Mouth” or “Nama Time”.
Released in early January of 1996, “Tales Of Acid Ice Cream” features the team that Snowcat had gathered little by little since earlier days, bassist and mentor Ced Mattys (1988), vocalist P’tit Bout (1989), backing vocalist Gina Mainardi (1992), additional keyboardist Aurélia Thirion (1993) and lead guitarist Yves Larivierre (1994). Add to this accordionist (and mentor –again) Vincent Trouble (1988) and freshly invited violinist Philippe Tasquin, you get the illusion of a growing band who spent time together and grew a strong unit through the years. This was ToAIC’s first misunderstanding that cooled the most innocent of newcomers.
Friends won’t be friends
The then Awaken was far from being a band, let alone a bunch of friends. The embarrassing lack of democracy was palpable since the first notes of “Nursery Nymph”, showing a strong dominance from synthesizers and other Gilles Snowcat-controlled machines over musicians and acoustic instruments. This led to a sound that was heavily rejected by many, and paradoxically adopted and worshiped by a more ‘destroy’ part of the population. Some were so fed up with the guitar-dominated grunge and Brit-pop that they jumped in the Acid Ice Cream wagon without too much hesitation. To this day, those who survived are still genuinely faithful to that era. Is love blind? Some perplexing points like the lack of unity as a band, the over packed music (those tiring 70 minutes), the clumsy vocal interventions of Snowcat and the dictatorship of digital synthesizers don’t seem to be much of a drawback for those lovely (now) grown-up punks. On the contrary. Recently, WARR Records Reviews described it as “Off-key, off-tempo electronica, but I like the pensive pop “Numbness Of Highlights.” And even Al Stewart and Glenn Hughes didn’t hide some interest in the record (that features a cover of their songs, this has to be said)
Still, ToAIC still features its lot of attractiveness: some stunning soulful vocals from P’tit Bout, clever violin touch from Philippe Tasquin, beautiful accordion layers from Vincent Trouble, a moving bass line from Ced Mattys and, let’s not forget the immaculate sound of the one who kept the thing together through almost inhuman patience, the sound master ‘Magic’ Fred Scalliet.
Underground cult, as they say.
Benefiting from its status of cult album and scarcity (500 pieces only have been printed and released), “Tales Of Acid Ice Cream” is sold from 70 to 150 euros following its state and the amount of interest from the buyer. This is sometimes repellent for broke music lovers, add to that fact that there’s no streaming version anywhere. Therefore, we decided to sell 3 pieces of “Tales Of Acid Ice Cream” for a mere 50 euros. This offer will last until 14th of February 2016 included but hey, it’s only 3 pieces, don’t expect them to be available forever.
To seize the opportunity, email email@example.com with “Tales Of Acid Ice Cream -20” as subject line. Further details will be provided to you. Sounds exciting, uh?
ToAIC’s track listing:
01) NURSERY NYMPH (G.Snowcat)
02) TUNEFULLY MISUSED (G.Snowcat)
03) a- 1000 DAYS OF YESTERDAYS -INTRO- (R.Evans/B.Caldwell)
b- LAST DAYS OF THE CENTURY (A.Stewart/P.White)
04) SLEEP POSITION # 68 (G.Snowcat)
05) REQUIEM FOR A GOLDEN DESTINY (G.Snowcat)
06) NUMBNESS OF HIGHLIGHTS (G.Snowcat)
07) MEMORIES OF A TEENAGE CAT (G.Snowcat)
08) DOOM ENTRY (G.Snowcat)
09) a- I AM LOVE (M.Larson/J.Marcellino/D.Fenceton/FH.Rancifer)
b- RESCUE (M.Mann/M.Rogers)
10) a- WELCOME TO THE ‘HOUSE X’ (G.Snowcat)
b- NOSTALGIC BOOM (G.Snowcat)
11) BLURPING THE BLURP (G.Snowcat)
12) SPIRITS OF 1983 (G.Snowcat)
13) a- THIS TIME AROUND (G.Hughes/J.Lord)
b- BLIND (J.Lord)
c- OWED TO ‘G’ (T.Bolin)
14) A SIMPLE LOVE (G.Snowcat)
15) THE TALE OF THE MAGIC THURSDAY (G.Snowcat)
16) ZLURP (A.Thirion/G.Snowcat)
17) NOTHING COULD BE GOOD (B.Gibb/R.Gibb/M.Gibb/A.Galuten)
18) THIN CRASH VIRUS (G.Snowcat)
19) WINTER DANCER TALE (G.Snowcat)
20) STILL ALIVE (M.Vernon/B.Bowersock/P.Juvet)
21) WEDNESDAY MAYDAY (G.Snowcat)